It’s nice to hear
the old songs,
sung the good old
way…


It’s nice to hear the old songs,
sung the good old way…

Welcome to
Openhouse Studio
Folk Music Legacy

Created by Brian Jones, with daughter; Samantha, this website is a legacy project designed to bring ‘folk up to date.’

Explore the website, listen to the music, Explore folk music heritage UK and read the stories starting from the 60’s revival through to present day.

Welcome to
Openhouse Studio
Folk Music Legacy

Created by Brian Jones, with daughter; Samantha, this website is a legacy project designed to bring ‘folk up to date.’

Explore the website, listen to the music and read the stories starting from the 60’s revival through to present day.

KEEP FOLK TALKING

PODCAST

KEEP FOLK TALKING

PODCAST

We want to ‘keep folk talking’ in our NEW Openhouse Studio Podcast with a new special guest for every episode including stories and songs from past to present.

OUR latestPODCAST

KEEP FOLK TALKING

Brian Jones with Helen Sheppard

Brian Jones sits down with Helen Sheppard, described by him as the ‘unsung hero of Openhouse,’ whose harmonies and subtle touches have graced more than a dozen albums over the years. Helen’s voice has lifted countless recordings – from Ian Chesterman’s Over the Moors to the songs of Eddie Morris, Jeff Hurst, Roger Parker, and Jack Owen.

 

KEEP FOLK TALKING

WITH Helen Sheppard

Brian Jones sits down with Helen Sheppard, described by him as the ‘unsung hero of Openhouse,’ whose harmonies and subtle touches have graced more than a dozen albums over the years. Helen’s voice has lifted countless recordings – from Ian Chesterman’s Over the Moors to the songs of Eddie Morris, Jeff Hurst, Roger Parker, and Jack Owen.

Music has always been a major part of my life but I’m something of a ‘late arrival’ into the world of Folk.   

As a small child in Stoke on Trent in the 1960’s I loved to sing – many a time my Mum accompanied me on the piano singing ‘The Ash Grove’ which became a great favourite of mine.  I sang at Sunday School, and then in school and church choirs.  My primary school had a wonderful music teacher and I was soon playing recorder and percussion and started to learn the piano at age 7 and cello at 8 – by then I already knew I wanted to teach music. 

READY TO TELL YOUR story

We would love to hear and share your stories from the folk scene,
get in touch to feature on our next podcast.

The Resident

He’s always there week after week he puts up with a lot
He does what’s known within the trade as ‘The Kamikaze Spot’
He’s there to warm you buggers up and try to make you sing
But the highlight of the evening is when he breaks a string!
Folk don’t always listen they’re busy at the bar
Or chatting to each other and drowning his guitar
Sometimes he thinks he’s cracked it
When some open mouths he’ll see
But it’s only some old friends he’s brought
And they came in for free!
Why do we do it? I don’t know, we masochistic band
Maybe one day we’ll find that never, Neverland
Where an audience has ears and sings just like a choir
When you ask them to join in they raise their voices higher
Like some Eisteddfod winners far removed from any pub
Why then I’ll know I’ve really died and hosting Heaven’s Folk Club.

OUR song OF THE MONTH

When we arrived at Openhouse Studio for our monthly catch-up we didn’t expect to stumble into a new favourite song.

Brian was at the desk, mixing a track he’d recorded the night before. The song, written by his long time friend and collaborator Alan Ainsworth, immediately caught our ears. Brian told us the song had been circling in his head for days and he just had to find out if the version he was imagining would work. He wasn’t sure, but WE thought it did and as we needed a new song of the month, we sent in our secret agent (Sam) while Dad was out, to burn us a copy.

The track is called “I’ve been around some.” Here’s what Alan told us about it. “I’ve mostly written songs in the country and folk genres, but now and then I try to channel some of my heroes-Willy Nelson, Leonard Cohen, and in this case Waylon Jennings. This song was meant to sound like one of Waylon’s outlaw songs. It didn’t quite get there, but it’s not a bad song, so l kept it. It’s got all the right ingredients-an untethered singer- songwriter, constantly on the move, footloose, no roots, and no trust in anyone.” Alan and Brian have been working together for some time now, arranging and recording a collection of Alan’s songs to accompany a podcast series they recorded earlier.

With this new track setting the tone, we’re looking forward to hearing more of Alan’s songs and stories very soon. Stay Tuned!

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